Too Good To Be True Album Sales
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Author: Erin Arvedlund
Release Date: 2009-08-11
The untold story of the Madoff scandal, by one of the first journalists to question his investment practices Despite all the headlines about Bernard Madoff, he is still shrouded in mystery. How did he fool so many smart investors for so long? Who among his family and employees knew the truth? The person best qualified to answer these questions is Erin Arvedlund. In early 2001, she was suspicious of the amazing returns of Madoff's hedge fund. Her subsequent article in Barron's could have prevented a lot of misery, had the SEC followed up. Arvedlund presents a sweeping narrative of Madoff's career-from his youth in Queens, New York, to his early days working for his fatherin- law, and finally to infamy as the world's most notorious swindler. Readers will be fascinated by Arvedlund's portrayal of Madoff, his empire, and all those who never considered that he might be too good to be true.
Author: Ellis Cashmore
Release Date: 2006-06-07
Cashmore's controversial study argues that black culture has been converted into a commodity, usually in the interests of white owned corporations. Using detailed studies of the marketing of Motown, Michael Jackson and the Artist Formerly Known as Prince, Cashmore suggests that inflating the significance of this commodified 'black culture' may actually be counter-productive in the struggle for racial justice.
Author: Moses Avalon
Publisher: Hal Leonard Corporation
Release Date: 2009-05-01
(Book). It's been 10 years since Confessions of a Record Producer published real-life numbers showing what artists made on so-called "hit records" and how producers, labels, managers, and even the artists' own lawyers conspire to cheat them out of royalties. It's the only publication that tells the real story of how artists get ripped off and how they can protect their assets. In a special 10th Anniversary Edition, author Moses Avalon, one of the industry's most sought-after consultants and artist's rights gurus, has updates on all of the old shams and many new ones created by the internet and the ongoing transformation of the music industry. * Detailed numbers on how new royalties from digital downloads are calculated, collected, and manipulated. * Deep inside the new so-called "360 Deals" offered by the major labels. Groundbreaking charts and graphs show industry consolidation, who owns what, and where the future of the music business is headed.